Close Menu
Msomi BoraMsomi Bora
    Facebook X (Twitter) Instagram Threads WhatsApp
    Msomi BoraMsomi Bora
    • HOME
    • NOTES
    • PAST PAPERS
    • BOOKS
    • OTHERS
    • KENYA
    • CONTACT US
    Msomi BoraMsomi Bora
    Home»English»ENGLISH – Play – THE TRIALS OF BROTHER JERO
    English

    ENGLISH – Play – THE TRIALS OF BROTHER JERO

    January 4, 202042 Mins Read
    Facebook Twitter Pinterest LinkedIn WhatsApp

     

    JOIN US WHATSAPP CLICK HERE
    JOIN US TELEGRAM CLICK HERE
    THE TRIALS OF BROTHER JERO 

    By Wole Soyinka

    The
    Trials of Brother Jero
    is a play by Nigerian writer Wole Soyinka. It was first produced in the dining
    hall at Mellan by Hall, University College, Ibadan, Nigeria, in April 1960. The
    play was first published in Nigeria in 1963 and by Oxford University Press in 1964.

    The
    Trials of Brother Jero
    is a light satiric comedy that takes aim
    at religious hypocrisy in the form of a charlatan, or fraud, named Brother Jero,
    who preaches to his followers on Bar Beach in Lagos, Nigeria. Jero is a master
    of manipulation and keeps his followers in a subservient position because he
    understands what they long for money, social status, and power—and convinces
    them that they will soon be able to fulfill these materialistic desires. For
    their part, they are gullible enough to believe him.

     

    Wole Soyinka

    THE
    TRIALS OF BROTHER JERO
    By Wole Soyinka
    Setting: Nigeria

    PLOT SUMMARY

    The play
    is divided into five scenes that communicate the playwright’s message. 

    Scene
    one:
    The scene
    breaks with a monologue from Brother Jero in which he introduces himself as a
    prophet by birth and by inclination. He also tells the audience that there are
    many prophets of his kind in the streets, many with their own churches other
    inland and others on the coast. There are prophets who are leading processions
    while others are looking for processions to lead, many curing the deaf, many
    raising the dead.
     He
    says that he was born a prophet and he had grown to love the trade. He says
    that many prophets now are competing for plots of land at the beach where to
    erect their churches. This has turned the profession into a thing of ridicule.
    He also says that some prophets gained their present beaches by getting women
    penitents to shake their bosoms in spiritual ecstasy. As a result it reached a
    point where the Town Council had to intervene and divide the land among the
    prophets and settled the Prophets’ territorial warfare.
    He tells
    how he betrayed his old master by pretending to help him to get a plot of land
    but he ended up possessing the land himself. He blames the television for
    keeping the wealthier patrons at home since they stay at home and watch the tv
    instead of going for worship. He had to struggle for a plot of land against
    other church groups such as The Brotherhood of Jehu, Cherubims and seraphims,
    the Sisters of Judgement day, the heavenly cowboys and Jehovah’s Witnesses.
    The old
    prophet appears and curses Brother Jero for driving him off hid plot of land
    and says “Ingrate!
    Monster! I curse you with the curse of the Daughters of Discord. May they be
    your downfall! May the Daughters of Eve bring ruin down on your head!”
    Brother
    Jero ignores the curse and calls it a cheap curse. He admits that he has one
    weakness and that is, women. However, he says that women love him because he is
    good looking.
    Scene
    two:
    Early in
    the morning In Front of Brother Jero’s house.
    The scene
    breaks with Amope and Chume on a bicycle and they brake at Brother Jero’s
    house. The sudden braking causes a minor injury on Amope’s ankle and she
    complains a lot for that. Chume unties the bundle he had tied on his bicycle
    and places them down. Amope has taken all the kitchen utensils required to
    prepare the meal plus a mat and goes to camp in front of brother Jero’s house.
    After
    unloading everything Chume wants to leave saying that he is late for work.
    Amope wonders the Chume is just a Chief Messenger in the Local Government
    office and he calls it a job while his old school friends are now ministers
    riding in long cars. Chume decides to leave. She wishes he would find another
    thing so that she may not go to her grave as a wife of a Chief messenger.
    Brother
    Jero is about to get out but he notices the presence of Amope. He wants to
    escape through the window but she sees him and asks “Where do you think
    you are going?”
    He comes back to the house. Amope says that it has been
    three months and Jero has not paid her money the sum of One pound, eight
    shillings, and nine pence and she wonders that he calls himself a man of God.
    She insists that he won’t go anywhere until he has paid the debt. Brother Jero
    cheats her that the money is not in the house he has to get it from the Post
    Office and pay her.
    A fish
    trader comes and Amope asks her to put down her trade so that she may buy. She
    says that the fish smells a bit and the trader tells her that it is her who has
    not bathed for a week. They exchange insults and the trader carries his load
    and walks away. She turns and finds Brother Jero escaping through the window.
    She shouts at him calling him a thief. She assures him that he will find it
    easier to get out of his house than to get in or else her name is not Amope. A
    boy coming towards her beating the drum and Amope chases him away calling him a
    dirty beggar.
    Scene
    three:
    At the
    Beach
    Brother
    Jero is standing near his church wondering how Amope managed to find his house.
    He says that he bought the Velvet not because it is a luxury thing but because
    it would help to distinguish himself from others and finally they will start
    calling him the Velvet-hearted Jeroboam, Immaculate Jero, Articulate hero of
    Christ’s Crusade. This is his ambition. He says that he does so because one
    must have a name that appeals to the imagination of the spirit and much catch
    the imagination of the crowd. He says that one must move with modern times
    because lack of colour gets one nowhere even in the Prophet’s business.
    He curses
    Amope for making him uncomfortable and says the price is too high for that
    cape. He is glad to get there before his worshippers whom he calls customers.
    He admits that he keeps them dissatisfied so that they may keep going to him.
    That is the reason he does not allow Chume to beat his wife so that he may not
    be contented and go forever.
    A young
    girl who has been swimming passes with clean, wet, and shiny face and hair.
    Brother Jero follows her with his eyes then tells himself “Pray Brother
    Jeroboam Pray! Pray for strength against temptation.”
    (p,11). Chume enters
    and he asks him to pray with and for him against that weakness. They start
    praying together.
    Chume seems to have something
    bothering him because he has come earlier than usual. As he starts meditating
    Brother Jero says that his worshippers believe that he has no house and he
    sleeps at the beach. When Chume finishes his meditation he suddenly asks for
    permission to beat his wife just one sound beating. Brother Jero says it is
    against the will of God. He tells Chume how he prophesied for him different
    positions and they came true and now he has prophesied that he will be a Chief
    Clerk. Chume continues to insist about the beating Jero commands him to kneel
    down for a prayer. Jero tells Chume that this woman is his cross and he has to
    bear it and pray for strength.
    Other
    worshippers have arrived and Brother Jero leaves them chanting. He talks about
    a man that he has prophesied that he will be made a chief in his home town. For
    another he prophesied that he will be the first Prime Minister of the new
    Mid-North-East State when it is created. He says that it is a risky prophesy
    but he made it because he badly needed worshippers around that time.
    Finally he manages to convince
    Chume not to beat his wife and he agrees. He sends Chume to bring water then a
    boy enters beating the drum and a woman chasing her. Her wrapper pulled so high
    up that half the length of her thigh is exposed. Jeroboam follows the woman’s
    exposed limbs with quite distressed concentration. Brother Jero leaves the duty
    to Chume and follows them
    Meanwhile
    a woman detaches from the crowd shouting Echa, echa, echa, echa,… etc. Chume
    calls Brother Jero to come back but he is nowhere to be seen. He starts to
    minister the penitent. He prays for forgiveness while the congregation responds
    Amen! Then Chume prays for good life and promotions. He says for instance those
    who are clerk today should be made Chief clerks, Messengers into Senior
    Service, Petty traders into big contractors, those with bicycles to ride cars …
    Prophet
    Jero appears a much altered man with his clothes torn and his face bleeding,
    asking his Assistant, Brother Chume, to dismiss the congregation. In their
    discussions, it was revealed, to the reader or audience, that it was Brother
    Chume’s wife that Prophet Jero had an unpleasant encounter with that morning.
    Brother Chume reported the way he escorted his wife to Ajete settlement to the
    poor man’s house, oblivious Jero was actual the man the wife had forced him to
    carry her to his place to collect the money she was owed. After hearing that
    Brother Jero discovered that the woman is Chume’s wife. It was also revealed
    that, initially, the prophet was not aware that, that woman was Brother Chume’s
    wife.
     Paradoxically,
    the prophet’s advice changed from prayer and forgiveness to punishment and the
    use of whip as soon as Jero realised whose Chume’s wife was. He allowed him to
    go and take his wife home and beat her secretly. Before he leaves, Jero tells
    him that the son of God appeared to him and gave him a new title Immaculate
    Jero, Articulate Hero of Christ’s Crusade.
    Scene
    four:
    Later the
    same day In Front of Brother Jero’s house.
    Chume
    goes to his wife and is given the food. He orders his wife to pack up her
    things ready to leave for home. Amope thinks the man is drunk because he came
    earlier than usual. Chume insists on going home but Amope refuses that she
    won’t leave until she gets her money. Jero enters and hides to observe them.
    Amope says the amount her debtor owes her is much more than his messengers pay.
    She tells him that he had better become a sanitary inspector than a messenger.
    She advices him to take a job that has high pay or at least chances for bribes.
    She mocks him that he does not drink, or smoke or take bribes but he is still
    poor.
    Chume
    threatens to beat her saying his period of abstinence and trial is over. He
    commands her to get on the bike she refuses and runs to beat the boor asking to
    be let in. as she cries for help she says that the husband must kill her first
    before he ties her onto the bicycle. She asks Brother Jero to curse her husband
    and she will forgive him his debt. Chume overhears it and asks her to keep
    quite so that she may explain to him well whether it is Brother Jero who owes
    her the money. She continues to shout the words “Kill me”. He
    turns to a nearest neighbour who confirms that, that was Brother Jero’s house.
    Chume
    discovers the hypocrisy of Brother Jero and knows that it is for that reason he
    allowed him to beat his wife for his own convenience. Chume leaves her alone
    and takes his bike ordering her to wait till he returns. Amope is surprised
    whether her husband is mad.
    Scene five:
    Nightfall
    at the Beach.
    The scene
    talks about a Member of the federal House who has come to rehearse his speech
    practices. He is a back bencher but with one eye on a ministerial post. He
    remembers Chume and says that might have lost him because by giving him
    permission to beat his wife he is now fulfilled and would not come back to him.
    However he sees it as a good price he paid to get rid of Amope.
    He then
    goes to the Member of the house and tries to prophesy for him. At first the
    minister seems to be aware of this gullibility but later when he is told that
    he would be appointed as The Minister for War he softens his heart. Brother
    Jero seizes that opportunity and tells him that he sees Satan in the MP’s eyes.
    The member grows fearful and raises his arms in half-supplication.
    Chume
    comes agitated talking to himself wondering that for two years Brother Jero had
    prohibited him to beat his wife claiming it was against the will of God but
    today he granted the permission. He laments also after discovering that Jero
    has a house and he cheats his followers that he sleeps at the beach. Chume
    suspects that may be Amope and Brother Jero have a private relationship. She
    pretends to camp at his door demanding the money but when the night falls she
    gets in and they make love. He blames God that what has he done for God to
    spoil his life that much.
    Chume
    leaves while the Prophet prays for the MP. Chume comes back abusing Brother
    Jero calling him adulterer! Woman thief! and threatens to finish him. Brother
    Jero flees leaving the MP alone. When the MP discovers that the Prophet has
    disappeared he thinks that he has been transported or transmuted and he says to
    himself “I knew I
    stood in the presence of God…
    ” (p.32). Jero is happy because he has managed
    to full him. He hopes that he will go and tell it to others. The Member thinks
    that he is on the holy ground and takes his off his shoes.
    Brother
    Jero watches as he is about to sleep so that he may re-appear and make the
    member believe that he fell from heaven. When the member sees him he falls flat
    on his face and calls him “Master!”

    The Title of the Play


    The word ‘trials’
    in this play is used to mean “temptations”.
    In other words it is talking about the temptations of different dimensions that
    Brother Jero faces in his ministry as a prophet. The title of the play is
    relevant to its content as the playwright has discussed several trials
    befalling our main character (the protagonist) Brother Jeroboam. The
    temptations he gets are from women and from his ministry. Brother Jero is very
    fond of women and this has become his greatest weakness as he admits in scene
    one. “He knew very well that I had one
    weakness –women.
    ”(p.3)
    §     
    The first temptation is from a girl who passes every
    morning on her way to take a swim
    . A girl passes sleepily in front of him clothed only in a wrapper going
    to take a swim. When she comes back she is clean, wet, with shiny face and
    hair. Brother Jero follows her with his eyes all the way. Then he tells
    himself. “Pray Brother Jeroboam, pray!
    Pray for strength against temptations”
    . (p.11)
    §     
    The second trial is from the woman chasing the drummer
    boy
    . Her wrapper was
    pulled so high that half the length of her thigh is exposed. Brother Jero again
    followed the woman’s exposed limbs with quite distressed concentration and he
    comes suddenly to himself and kneels sharply. (p. 17)
    §     
    Another trial comes from his assistant Chume who asks
    for permission to beat his wife
    . Brother Jero finds it difficult to allow Chume to beat his wife and
    tells him it is against the will of God. He encourages Chume to bear it as a
    cross telling him that she was his trial sent from heaven. “She is your heaven-sent trial – lay not your
    hand on her”
    (p.15)
    §     
    He also faces trials from the prophesies he gives to
    people.
    He is careful
    to tell only those prophesies that have a probability of coming true so that
    they may continue believing in him. For example he says he prophesied that one
    man will be made a chief in his home town. He says “that is a very safe prophesy. As safe as out most popular prophesy,
    that a man will live to be eighty. If it doesn’t come true
    .” (p.15) When he
    is in need of customers he tells even impossible prophesies. He for instance
    tells one man that he will be the first Prime minister of the new
    Mid-North-East State – when it is created. Then he admits that “that was a risky prophesy of mine, but I
    badly needed more worshippers around that time.”
    (p.16)
    Setting
    The play is set back in the 1960’s but it is very relevant to the
    contemporary socio-political and religious situation in Nigeria and other
    African countries in general. There are also sub-settings, setting the actions
    in the scenes of the play.
    §     
    Beach. The beach is used as a place where most prophets have erected their
    churches and struggle for customers. But also it is the same place that puts
    the Protagonist into temptations since women who go there for swimming with
    swimming attires have been a temptation to the prophet hence “the trials of Brother
    Jero”
    §     
    In front of the Brother Jero’s house. Other events are taking place in front of Brother
    Jero’s house such as Amope’s conflict with the fish trader, Amope’s conflict
    with her husband, and Amope’s conflict with Brother Jero. It is this same
    setting that gives awareness to Chume who was once ignorant and blind follower
    and Assistant of Brother Jero. He comes to discover that the man he has trusted
    ever is a liar and a hypocrite because he has a house but claims to sleep at
    the beach. Also he discovers that the permission he got to punish (beat) his
    wife was a careful plan to make Brother Jero get rid of his Creditor who is
    actually his own wife.
    Style
    Ø
    Dialogue: the play is written in a dialogue
    style as expected of any play.
    What is important here is that, in a play, characters use language
    pragmatically as in real life unlike in other genres like prose or narrative
    poetry where the persona is the narrator talking about himself and/or others.
    Ø  Monologue/soliloquy. The play begins with a monologue
    in which Brother Jero addresses the audience directly introducing himself as a
    prophet from birth.
    Ø  Aside: In most cases Brother Jero uses aside in which cases
    he addresses the audience directly and goes back to play his part. For example
    when he sees a Member of the Federal House he says “Now he…he is already a member of my flock. He does not know it of
    course, but he is a follower. All I need to do is claim him. Call him and say
    to him, My dear member of the House, your place awaits you…or do you doubt it?
    Watch me go to work on him
    ” (p.29). This was a direct address to the
    audience.
    Ø  Point of view. The dominant point of view through
    which the story is told is First person Point of view. The story unfolds almost
    entirely through the eyes and words of the main character Brother Jero who
    every now and then takes himself aside and tells the audience what they should
    expect to see in the subsequent scenes. He starts by introducing himself “I am a prophet. A prophet by birth and by
    inclination” (p.1)
    Language
    use.
    Ø  It has been argued by some critics
    that perhaps the “Trials of Brother Jero” is the only popular comedy by Wole
    Soyinka that has used a simple language of the masses (Osoba, 2014). He has also made use of idiosyncratic variation
    perhaps to stress a point of ignorance and awareness within one person. Chume
    speaks Standard English when he converses with his wife but when he talks to
    Brother Jero he speaks Pidgin English.
    Ø  This might have been done
    deliberately to show that the linguistic variation within the same person
    signifies his state of awareness when he is at home and ignorance when he is at
    the church. That is perhaps why when he finally discovers the truth about his
    Prophet he says “For two years ‘e no let
    me beat that woman. Why? No because God no like ‘am. That one no fool me any
    more. ‘E no be man of God” (p.31)
    Ø  Several figures of speech have also
    been employed not only to colour the work but also to help Soyinka communicate
    his message across.
    Symbolism.
    Ø  The playwright has used his
    characters symbolically to represent the many types of people we have in our
    contemporary societies.
    §     
    Brother Jero; (the protagonist) represents all
    the false and corrupt prophets emerging in African continent with the aim of
    exploiting the ignorant masses.
    §     
    Chume; (the antagonist) represents those
    faithful and ignorant masses that are exploited by the prophets just as
    customers. They make the prophets richer and richer but they remain poorer and
    poorer.
    §     
    Amope; represents those few who are aware
    of the fact that these prophets are phoney prophets thus untrustworthy. Thus
    she represents the exploited individuals in the society who are enlightened
    have come to realise the real men behind the mask and cannot be easily
    deceived.
    §     
    Daughters of discord/Daughters of
    Eve
    ; are used to represent
    all dishonest and unfaithful women who ruin men’s lives and bring their
    downfall.
    §     
    The Velvet Cape; has been used not only as a symbol
    of wealth exploited from the masses by the prophets but also as a mask behind
    which the prophet has camouflaged himself to hide his real identity.
    §     
    Brother Jero’s house; is a symbol of the wealth robbed
    from the ignorant worshippers and stored secretly. The Prophet presents himself
    as a poor and humble man of God who has nowhere to sleep except the beach while
    in fact he as e very nice house at Ajete Settlement.
    §     
    Chume’s bicycle. This is used as a symbol of
    poverty in the play. Those rich guys drive cars but the poor like Chume can
    only afford the bicycle.
    §     
    The television. In this play the television is
    used as a symbol of spiritual hypocrisy. The rich people whom Jero refers to as
    “our wealthier patrons” are
    symbolised by the television which, the worshippers, being worldly, stay at
    home and watch instead of attending the church services. These are Nicodemus Christians because they go for
    consultations at a time that they wouldn’t be recognised which shows that they
    know it is wrong to visit such places. This is hypocrisy.
    Irony
    §     
    There is a Dramatic irony.
    Brother Jero is portrayed ironically. The playwright has used a dramatic
    irony in which case the audience and some characters like Amope are aware of
    the real Brother Jero but others in the play have no idea of his real identity.
    This is done purposely to create suspense and make the readers long to see what
    Chume will do after discovering the real man behind the mask.
    §     
    Verbal irony.
    The words Heavenly
    cowboys
    are also used ironically because a cowboy is someone who does their
    jobs badly or one who is dishonest in business. Taking into consideration the
    heavenly atmosphere we don’t expect the word heavenly cowboy to be used to
    refer to heavenly beings.
    Satire.
    §     
    The playwright mocks the Christian
    religion
    . Whole play is
    a satire to the Christian church and shows that from the past (symbolised by
    old prophet) to present (symbolised by Jero) and even the future (symbolised by
    Chume) the false prophets who practice Christian charlatanism have not changed.
    We can say that there is lack of seriousness in Jero’s church, its leader and
    its worshippers. 
    §     
    Soyinka mocks the names of the
    churches
    . The names are
    not only funny but they portray their hypocritical outlook as well. For
    instance, if we consider the name like “Heavenly
    cowboys
    ” for the church, we see the satire involved in a much more vivid
    sense. By laying the words “Heavenly”
    and “cowboys” side by side, he is not
    only creating an oxymoron with the meaning “heavenly
    dishonest and irresponsible people
    ” but he is also making a description of
    the rogue church and the corruption that goes on in it.
    §     
    Also the names of other churches such as “The brotherhood of Jehu, the Cherubims and
    seraphims,
    do not reflect the expected godliness. Prophet Jehu in the
    biblical rendition, wiped away evil from Israel, Cherubims and seruphims refer to angels, who are sweet and innocent
    doing only the will of God, but the activities of these churches, spread evils
    among Gods people showing their ugliness, ungodliness, and lack of genuineness.
    §     
    The name “The
    Sisters of Judgement Day”
    does not reflect heavenly-minded people
    meditating on the Great Judgment Day as it is thought to be. It is rather
    described as “shakers of bosom” in
    the church considering that the word ‘sisters”
    refers to females. Thus they are causing immorality in the church of God and
    Soyinka warns them about the terrible fate that awaits them on the Judgment
    Day.
    Metaphor
    §     
    And I grew to love the trade. (prophetic ministry is compared to a
    trade) (p.1)
    §     
    I am glad I got here before my
    customers – I mean worshippers – well customers if you like. (p.11) (
    worshippers are compared to customers)
    §     
    Tear this love for the Daughters of
    Eve. (p.12)
    (He calls women the daughters of Eve)
    §     
    My life is hell. (p.14) (He compares his life with hell)
    §     
    This woman whom you so desire to
    beat is your cross –bear it well. (p.15)
    (He compares his wife with a cross)
    §     
    She is your heaven-sent trial (p.15)
    (
    he refers to
    Amope as a trial)
    §     
    Women are a plague brother. (p.20) (women are compared to a plague)
    §     
    Poor fish (he refers to the member of the
    Federal House as a poor fish) (p.29)
    Reiteration.
    §     
    Help him Lord help him Lord. (p.12)
    §     
    David David, Samuel, Samuel. (p.12)
    §     
    Help him. Help him. Help ‘am God.
    Help ‘am God. (p.12)
    §     
    Job Job, Elijah Elijah. (p.12)
    §     
    Abraka, Abraka, Abraka(p.12)
    §     
    Abraka Abraka Hebra Hebra Hebra
    Hebra Hebra Hebra Hebra Hebra (p.12)
    §     
    All she gave me was abuse, abuse,
    abuse …(p.15)
    Sayings
    §     
    In fact there are eggs and there are
    eggs. (p.1)
    Personification
    §     
    No scandal has ever touched my name.
    (p.3)
    Synecdoche
    §     
    I have not breathed it to a single
    soul (p.10) (soul here stands for a person)
    Metonymy
    §     
    …no scandal has ever touched my name. (p.3) (name here
    refers to Jero’s reputation)
    Allusion
    There are biblical allusions that
    are used in the play to place the play in its real context.
    §     
    The brotherhood of Jehu, the Cherubims and seraphims,
    the Sisters of Judgement day, the heavenly cowboys…(p.2)
    §     
    This woman whom you so desire to beat is your cross
    –bear it well. (p.15)
    §     
    This is holy ground (takes off his shoes and sits) (p.32)
    Anaphora
    §     
    Forgive this sinner, father, Forgive him by day,
    Forgive him by night, Forgive him in the morning, Forgive him at noon… (p.15)
    Exaggeration.
    §     
    I think I see Satan in your eyes. I see him entrenched
    in your eyes. (p.30)
    CHARACTERIZATION
    Brother
    Jero.
    Ø  He is the protagonist. He is
    the main character portrayed as charlatan who attempts to achieve his ambition
    as an important and distinctive prophet by appearing immaculate in a velvet
    cape, which he had not yet paid for, and articulate in prophecy. His ultimate
    ambition is to be called the Velvet-hearted Jeroboam, Immaculate Jero, and
    Articulate Hero of Christ’s Crusade.
    Ø  He is a fake (phoney) prophet.
    Brother Jeroboam (Jero) is a self-professed man of God who preaches water but
    drinks wine. He is a fake prophet but he has managed to convince a group of
    people that he is God’s prophet with divine powers to help them fulfil their
    dreams.
    Ø  He is corrupt. As a
    religious leader Brother Jero turns out to be what we don’t expect of a man of
    God. He runs after women, he buys the velvet cape from Amope on credit but
    refuses to pay her. This is moral corruption for a man of God.
    Ø  He is a liar. He lies even to his own assistant that he has no
    house and he sleeps at the beach but in reality he has a house somewhere in
    Ajete settlement area. Chume says in page 31. ‘E no be man of God. ‘E say `in sleep for beach whether `e rain or cold
    but that one too na big lie. This man get house and `e sleep there every night”
    Ø  He is a hypocrite prophet. Brother Jero has been
    preventing Chume from beating his wife claiming that it’s not the will of God,
    however the day he discovered that Amope (whom he owed the money) is Chume’s
    wife he granted the permission. This is highest level of hypocrisy.
    Ø  He is an exploiter.
    Brother Jero exploits his subjects through offerings they pay. For him this is
    a complete trade and he calls his worshipers “his customers”
    Ø  He is a womanizer.
    (Skirt-chaser) Brother Jero admits that his weakness is women. Chume calls him
    “Adulterer! Women thief”
    Chume
    Ø  Amope’s husband. He is
    the husband of Amope and usually quarrels with her.
    Ø  Brother Jero’s assistant. He
    helps Brother Jero to administer in his church.
    Ø  He is a chief messenger. He is
    employed as a chief messenger. Her wife is not contented with her husband’s job
    because it doesn’t give him enough to support the family.
    Ø  He is a blind follower of brother Jero. Chume
    is among the devoted followers of Brother Jero who are exploited unawares. He
    thinks that Jero is a genuine man of God until he discovers the real man behind
    the mask. Jero uses his ignorance to tell him that The Son of God appeared to
    him and gave him a new title Immaculate Jero, Articulate Hero of Christ Crusade
    and Chume believes.
    Ø  He leads a poor life. Chume
    is very poor something that causes him troubles with his wife who claims that
    he has better become a Sanitary Inspector for he can at least take bribes and
    buy a motorcycle than the bicycle he has. Also she regrets by saying “Am I to go to my grave as a wife of a chief
    massager?”
    Ø  He is a traditionalist who
    believes in Women beating. Chume believes that women beating can be a solution
    to silence his wife Amope and stop her from abusing him.
    Amope.
    Ø  She is a wife of Chume. She
    usually quarrels with her husband.
    Ø  She is a petty trader. She
    earns her living by engaging in petty trade selling things including the velvet
    cape she sold to Brother Jero for one pound eight shillings and he has not paid
    her.
    Ø  She is a very hardworking woman. She
    is a hard working woman and manages to prepare the food for her husband. She
    says “You can’t say I don’t try. Hounded
    out of house by debtors, I still manage to make you a meal
    ”. (P. 23)
    Ø  She is brave and courageous. She
    is very courageous and has a firm stand. For example she goes to camp at the
    house of Brother Jero until she is paid her money. Moreover when Chume forces
    her to get onto the bicycle so that they may leave she refuses and says “I won’t get on that thing unless you kill me
    first
    ” (p. 26)
    Ø  She is abusive. She
    uses abusive language when talking to people like the fish seller, her husband
    and her debtor Brother Jero. For example she abuses the trader “Do you see what you have done, you
    spindle-leg toad?
    ” then she turns to the boy drumming “take yourself off, you dirty beggar. Do you think my money is for the
    likes of you? ”
    (p. 9)
    Ø  She likes complaining. She
    complains too much almost in every situation and against everybody she
    encounters. She complains against her husband, against the fish seller, against
    the drum boy and against brother Jero. E.g. “I
    don’t know what the world is coming to. A chief of a Prophet, a swindler of a
    fish-seller and now that thing with lice on his head comes begging for money.
    He and the prophet ought to get together with the fish-seller their mother”
    (p.
    9)
    Member
    of Parliament.
    Ø  He is an M.P. He is
    a senior member of the Federal house.
    Ø  He is a power monger. We
    are told that he is a member of the federal house- a backbencher but with one
    eye on a ministerial post.
    Ø  He is poor in speech making. He
    goes to Brother Jero every day to be taught the tricks in speech making but he
    never makes the speeches. He is too scared.
    Ø  He is ignorant. He is
    one of those Brother Jero cheats with false prophesies that their dreams would
    be fulfilled. Brother Jero prophesies that he would be appointed as a Minister
    for War. And he believes him.
    THEMES
    IN THE PLAY
    CONFLICTS
    Soyinka has discussed different
    controversies that arise as a result of the kind of religion introduced in
    Africa which brought both hopes and disappointments. Those who were thought to
    be the men of God and gospel light bearers have turned out to be the very
    wolves in a sheep’s clothing. Brother Jero is the main source of conflicts in
    the play.
    Most of the conflicts addressed in
    the play are personal conflicts involving the following individuals;
    a.     
    Conflict between Brother Jero and Old prophet.
    This conflict occurs as result of a quarrel over a
    piece of land at the beach where Brother Jero erects his church. He decides to
    chase away the old Prophet despite the fact that he is the one who trained
    Brother Jero as a prophet.
    b.      
    Conflict between Brother Jero and Amope.
    This conflict occurs because of the money Brother Jero
    owes Amope. She has sold him a Velvet cape for one pound and eight shillings
    but Brother Jero has been avoiding paying her claiming that his money is in the
    bank. This causes a serious conflict between the two.
    c.      
    Conflict between Amope and the trader.
    This occurs when Amope comments that her fish smells a
    bit. She gets angry and says that maybe it is Amope who hasn’t bathed for a
    week. The two exchange hot potatoes and the fish trader decides to leave
    avoiding the unnecessary quarrel.
    d.     
    Conflict between Chume and Amope
    This conflict arises as a result of two major factors.
    One is from their personality traits.
    Amope is so hot-tempered that she evokes a quarrel over just a minor issue
    while Chume on his side seems to be so church-centred ignoring to provide for
    his own family. Secondly the poor
    state at home stirs the conflict to the point where Amope regrets to have
    married a mere messenger and wishes he had been at least a sanitary inspector
    for it is a better job than a messenger. This causes a serious conflict in
    which case Chume seeks for permission from the Prophet to beat her but the
    permission is not granted.
    e.       Conflict
    among the prophets.
    The prophets are
    quarrelling over a piece of land where to establish their churches. The
    conflict involves
    “The brotherhood of Jehu, the
    Cherubims and seraphims, the Sisters of Judgement day, the heavenly cowboys”
    and The Jehovah’s Witnesses
    . The
    conflict is so intense to the point that the town council had to intervene and
    divide the land peacefully among the prophets
    .
    BETRAYAL.
    Betrayal has been portrayed in
    different scenarios.
    §     
    Brother Jero betrays the Old Prophet by chasing him
    away while in fact he is the one who trained him to become a prophet. Brother
    Jero drives him away after a clash over the land at the beach where he later
    establishes his church.
    §     
    Brother Jero has betrayed his Christian faith and his
    followers by acting contrary to what is expected of a prophet of God. He uses
    his position to exploit the ignorant mass and he calls them his customers.
    Furthermore, he does things that are morally contrary to the Christian faith in
    the name of religion like being lustful for women.
    §     
    Brother Jero betrays his closest assistant Chume.
    First he does not tell him the truth about his really life. He has a house at
    Ajete Settlement area and he keeps it a secret claiming that he sleeps at the
    beach. Secondly, he allows Chume to go and beat his wife after realising that
    she is the one he owes the money saying it is the will of God while he does so
    for his own interest.
    §     
    Brother Jero has betrayed Amope. He bought a Velvet
    Cape from her promising to pay for it but it has been three months and the debt
    is not paid. Moreover he keeps on avoiding her something that shows that he is
    not willing to pay for the Velvet cape.
    IGNORANCE.
    §     
    The worshippers in this play are portrayed as ignorant
    as they trust Brother Jero as a man of God not realising the real man who has
    camouflaged himself behind the mask of Christianity. He uses that opportunity
    to exploit them since they are not aware that he is just a womaniser, a liar,
    and an exploiter. He says for example “I
    know they are dissatisfied because I keep them dissatisfied. Once they are
    full, they won’t come again
    ”. (p.11)
    §     
    Chume represents those ignorant and blind followers of
    Brother Jero who don’t know the true nature of their so-called-prophet. He
    serves Brother Jero faithfully and with reverence and ends up becoming poorer
    and poorer as he has dedicated much of his time to church service leaving his family
    starving. He asks Brother Jero to pray for him so that he may become rich one
    day.
    §     
    The M.P is also ignorant as he is cheated by Brother
    Jero that he had a prophecy for him which showed that he would be appointed the
    minister for war. As it was his petty dream to become a minister he grows
    optimistic and asks Brother Jero to pray for him.
    §     
    Finally, ignorance is portrayed through the quarrels
    between Amope and her husband and Amope against the fish trader. In both cases
    the quarrels are stirred by minor things that are not strong enough to cause
    conflict for sensible and responsible people.
    EXPLOITATION.
    §     
    Brother Jero is portrayed as a chief exploiter in this
    play both as a priest and as an individual. In one case, he exploits the petty
    trader Amope by buying a Velvet Cape from her promising to pay her but it has
    been three months and no payment is done. This is exploitation of the small
    scale businesswoman.
    §     
    In another case, he uses his followers’ ignorance of
    his true nature to exploit them morally and materially. He fools them that he
    has no house to live in so that people give him money in terms of offerings to
    God. This makes him refer to them as customers and he takes his ministry as a
    trade. He says “I am glad I got here
    before my customers – I mean worshippers – well, customers if you like. I
    always get that feeling every morning that I am a shop-keeper waiting for
    customers
    ” (p.11)
    HYPOCRISY
    AND CHARLATANISM.
    §     
    Brother Jero is a real wolf in a sheep’s clothing. He
    has camouflaged himself behind the mask of Christianity to the point that his
    followers cannot distinguish between the real Jeroboam and the Prophet Jero. He
    lies to his followers that he has no house and they believe him. He also tells
    them that he is a real prophet of God while in fact he is a self-professed
    prophet, a liar and a womaniser.
    §     
    He deceives Amope that he has the money in the bank
    while in reality he was looking for the way to escape.
    §     
    He denies Chume the permission to beat his wife
    claiming that it’s against the will of God but when he discovers that Amope
    whom he owes the money is Chume’s wife he grants the permission claiming it is
    the will of God.
    §     
    Brother Jero lies to Chume that the Son of God
    appeared to him and gave him a new name title; Immaculate Jero, articulate Jero
    of Christ Crusade which is not true. He also cheats the M.P. that he had
    prophesy for him being appointed as the minister of War so that he can convince
    him to become his follower while it is not true.
    MISUSE
    OF RELIGION/THE RISE OF PHONEY PROPHETS
    §     
    Brother Jero misuses the Christian religion and uses
    his position and the trust he has from the worshipers to exploit his followers
    and capitalises on their efforts. The ignorant followers like Chume are so
    devoted to Church services so much that they even forget to take care of their
    families.
    §     
    Also Brother Jero is a hypocrite as a religious leader
    because he cheats people that he has no house thus he sleeps at the beach in
    order to win their sympathy and hide his identity. This is not what we expect
    of a religious leader.
    §     
    In a way Soyinka was portraying the big picture
    available in most African countries nowadays. Phoney prophets are scattered
    everywhere and many more are born every day, most of whom are trained in
    Nigeria –the playwright’s country. So he speaks from experience. They name
    their churches after sweet names that do not reflect their behaviours.
    §     
    Nevertheless, the names used in this play are used
    satirically to criticise the prophets and worshippers misconducts.  “The
    brotherhood of Jehu, the Cherubims and seraphims, the Sisters of Judgement day,
    the heavenly cowboys”
    . This is the reason 1why Brother Jero wishes to have
    a new title that sounds good in the ears of his followers and can attract more
    worshippers “Immaculate Jero, Articulate
    hero of Christ Crusade.”
    OPPRESSION.
    §     
    Amope is oppressed by Brother Jero who takes her
    Velvet Cape and refuses to clear the debt. He causes troubles to the woman to
    the point that she decides to camp at his door.
    §     
    Amope is also oppressed by her husband who threatens
    to beat her. Chume seeks the permission from the hypocritical prophet to beat
    his wife and the permission is granted because Brother Jero wants to revenge
    against Amope through Chume. Chume forces Amope to go home so that he may
    quench his thirst by beating her.
    AWARENESS
    Soyinka finalises his comedy by
    showing that Chume became aware of the real man behind the mask. He shows
    awareness in the following scenarios.
    §     
    He discovers that Brother Jero is a liar because he
    claims that he sleeps at the beach while he has a big house. He says “That one no fool me any more. ’E no be man
    of God. ‘E say in sleep for beach whether ‘e rain or cold but that one too na
    big lie. That man get house and ‘e sleep there every night
    ” (p.31)
    §     
    He discovers that Brother Jero allowed him to beat his
    wife for Brother Jero’s convenience claiming that it is the will of God.
    §     
    Amope is aware that Brother Jero is a phoney prophet.
    Her encounter with Brother Jero has revealed to her that he lacks the qualities
    of a Man of God because he is a dishonest man.
    THE
    POSITION AND ROLE OF WOMEN IN THE SOCIETY
    Women occupy various positions and
    roles in this society. Soyinka has viewed them both positively and negatively;
    §     
    Women are portrayed as hard workers and bread earners. Amope is a hardworking petty trader who works hard to put food on the
    table both for her and her husband. The fish trader is another case in point.
    She moves around selling fish so as to earn a living.
    §     
    Women are portrayed as more conscious than men. Amope represents women who are aware of what is going on in the society
    while her husband is blindly following Brother Jero and believing him as a man
    of God. She discovers the hypocrisy of brother Jero before her husband does.
    §     
    Women are portrayed as a strong and courageous people. Amope represents strong and courageous women in the society. Being a
    woman is not a criterion for her to be looked down upon by men. She struggles
    bravely against any man who crosses with her and defends her position. She for
    instance decides to camp at Brother Jero’s house until he pays her money.
    §     
    Women are portrayed as wicked people. Furthermore in the play women are viewed from another vantage point as
    people who are leading men to commit sin. The mentioning of women like Eve,
    Delilah and Jezebel from the bible who all led their men to commit sin serves
    this purpose.
    §     
    Women are portrayed as tools for sexual pleasure. Brother Jero uses women as tools to satisfy his sexual desires however
    he complains that women are the source of sexual immorality in the society.
    THE
    MESSAGE OF THE PLAY.
    §     
    We should be careful
    with phoney/false prophets. They are scattered everywhere and their interest in
    not spreading the word of God but enriching themselves through the worshippers
    offerings.
    §     
    We should not be
    hypocrites as it leads to dishonest practices. Brother Jero is a hypocrite so
    he does many dishonest practices in the society.
    §     
    Wife beating is not a
    best solution to solve a family conflict. It is better for the concerned
    parties to sit down, sort out issues and arrive at a common consensus that
    benefits both sides.
    §     
    Ignorance is a
    motivating factor for exploitation. People should be aware of what is going on
    in the society to avoid being exploited blindly.
    §     
    Betrayal is not good
    in our society. It is better to be hated for what you are than to be loved for
    what you are not.
    RELEVANCE
    Wole Soyinka has successfully addressed the problem that is in most
    African countries now especially in his own home country-Nigeria. Though it was
    published in the early 1960’s, it is very relevant to the contemporary
    socio-political and religious situation in Nigeria and Africa in general. The
    choice of the two characters was determined by their roles as protagonist (Jero
    as a charlatan) and antagonist (Chume as a victim).
    §     
    There are many churches, ministries, and faith groups emerging
    everywhere in Africa by people who self-prophesy to be Prophets of God. They
    refer to themselves as Prophets or apostles given the holy mission by Christ
    while in reality they want to capitalise on the efforts of the ignorant
    worshippers.
    §     
    The Conflict among these prophets over land and followers is the order
    of the day. They preach against each other’s weakness instead of against the
    devil.
    §     
    There are many Politicians who go to prophets for prayers for promotion.
    In this play the M.P. does not go to church to genuinely worship God but he
    does so because he has a dream of being appointed a minister, and he wants to
    achieve his dream through miraculous prayers.

    Share. Facebook Twitter Pinterest LinkedIn WhatsApp
    Previous ArticleENGLISH – Play – THE VOTER
    Next Article ENGLISH – Play – THE DILEMMA OF A GHOST

    Related Posts

    Poems for Advanced Level – Full Analysis (Form 5 and 6)

    June 20, 2026

    Novels for Advanced Level – Analysis for All Books

    June 20, 2026

    Plays for Advanced Level – Analysis for All Books

    June 20, 2026

    POEMS FOR SECONDARY STUDENTS – FULL ANALYSIS (Form 3 – 6)

    June 19, 2026

    PLAYS FOR ORDINARY LEVEL – ANALYSIS FOR ALL BOOKS

    June 19, 2026

    NOVELS FOR ORDINARY LEVEL – ANALYSIS FOR ALL BOOKS

    June 19, 2026

    ENGLISH NOTES FOR FORM SIX – ALL TOPICS

    May 5, 2026

    ENGLISH NOTES FOR FORM FIVE – ALL TOPICS

    May 5, 2026

    ENGLISH NOTES FOR ADVANCED LEVEL – Form 5 and 6

    May 5, 2026

    ENGLISH NOTES FOR FORM FOUR – ALL TOPICS

    May 5, 2026
    Clickable WP Image
    • Complaints
    • CONTACT US
    © 2026 Copyright. All Rights are Reserved. Msomi Bora.

    Type above and press Enter to search. Press Esc to cancel.