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    Home»English»ENGLISH – Poem – THE GRACEFUL GIRRAFE CANNOT BECOME A MONKEY
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    ENGLISH – Poem – THE GRACEFUL GIRRAFE CANNOT BECOME A MONKEY

    Msomi BoraBy Msomi BoraAugust 27, 20209 Mins Read
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    THE GRACEFUL GIRAFFE CANNOT BECOME A MONKEY
    Okot P B’tek (Uganda)
    My
    husband tells me
    I have no
    ideas
    Of modern
    beauty.
    He says
    I have
    stuck
    To
    old-fashioned hair styles.
    He says
    I am
    stupid and very backward,
    That my
    hair style
    Makes him
    sick
    Because I
    am dirty.
    It is
    true
    I cannot
    do my hair
    As white
    women do.
    Listen,
    My father
    comes from Payira,
    My mother
    is a woman of Koc!
    I am a
    true Acoli
    I am not
    a half-caste
    I am not
    a slave girl;
    My father
    was not brought home
    By the
    spear
    My mother
    was not exchanged
    For a
    basket of millet.
    Ask me
    what beauty is
    To the
    Acoli
    And I
    will tell you;
    I will
    show it to you
    If you
    give me a chance!
    You once
    saw me,
    You saw
    my hair style
    And you
    admired it,
    And the
    boys loved it
    At the
    arena
    Boys
    surrounded me
    And
    fought for me.
    My mother
    taught me
    Acoli
    hair fashions;
    Which
    fits the kind
    Of hair
    of the Acoli,
    And the
    occasion.
    Listen,
    Ostrich
    plumes differ
    From
    chicken feathers,
    A
    monkey’s tail
    Is
    different from that of a giraffe,
    The
    crocodile’s skin
    Is not
    like the guinea fowl’s,
    And the
    hippo is naked, and hairless.
    The hair
    of the Acoli
    Is
    different from that of the Arabs;
    The
    Indians’ hair
    Resembles
    the tail of a horse;
    It is
    like sisal strings
    And needs
    to be cut
    With
    scissors.
    It is
    black,
    And is
    different from that of a white woman.
    A white
    woman’s hair
    Is soft
    like silk;
    It is
    light
    And
    brownish like
    That of a
    brown monkey,
    And is
    very different from mine.
    A black
    woman’s hair
    Is thick
    and curly;
    It is
    true
    Ring-worm
    sometimes eat up
    A little
    girl’s hair
    And this
    is terrible;
    But when
    hot porridge
    Is put on
    the head
    And the
    dance is held
    Under the
    sausage-fruit tree
    And the
    youths have sung
    You, Ring worm
    Who is eating Duka’s hair
    Here is your porridge,
    Then the
    girl’s hair
    Begins to
    grow again
    And the
    girl is pleased.

    INTRODUCTION
    This is a short extract from a long
    poem called “song of Lawino” which is
    almost entirely based on the conflict between old and new ways of life. So it
    is based on what Lawino thinks as a treasure for Africans as contrasted with
    what Ocol thinks on his side. (Although
    their names do not appear anywhere throughout the poem).
    THEMATIC ANALYSIS
    Although the poem is but a small part
    of a long poem with several themes, still some of these broader themes can be
    narrowly extracted from this poem. These include; identity and awareness, African culture vs European culture,
    traditional healing, protest and the position of women
    .
    IDENTITY AND AWARENESS
    Africans need to be aware of their
    identity. In this poem Lawino reacts to her husband’s complaint. She turns her
    husband’s complaint into a praise-song for herself and her people. She does so
    by showing that she is aware of her identity as a black African woman and proud
    of it. Just like all other women of other races are proud of theirs Lawino sees
    no need why she should abandon hers. In lines 15-20 she says;
    Listen
    My father comes from Payira,
    My mother is a woman of Koc!
    I am a true Acoli
    I am not a half-caste
    I am not a slave girl
    AFRICAN CULTURE vs EUROPEAN CULTURE
    In ‘Song
    of Lawino’
    the poet discusses a lot of conflicts between African culture
    against European culture in most aspects. This small part of the poem centres
    entirely on hairstyles alone. Lawino shows that all people were created
    naturally beautiful and should be proud of how they are. For Lawino there are
    no reasons for Africans to do their hair like white women because white women
    never wish to do theirs like Africans. She uses the images ostrich plumes, chicken feathers, crocodile skin, etc to show that
    every creature has a point of departure from other creatures. No one creature
    should ever try to change and become like any other. The same applies for
    people from different races.
    TRADITIONAL HEALING
    Moreover, Lawino shows how Africans
    used to deal with different social and natural phenomena. Although it might
    seem as a kind of incantation, it helped to deal with unusual phenomena. For
    example she says if a ring-worm has eaten the little girl’s hair, all they do
    is put hot porridge on the head, hold a dance, sing a song, and then the hair
    grows again. This traditional ritual is still relevant to some societies today.
    PROTEST
    Lawino shows an open protest against European
    culture that is invading African culture. She does all it takes to educate
    African women to love and care for what they have, believe in who they are, and
    what they want to do with their lives. She protests doing her hair like white
    women. She says;     It is true/I cannot do my hair/As white women do
    POSITION OF WOMEN
    (1) True and strong upholder of African culture
    Lawino in this poem
    represents a class of women who are proud of their culture and identity. They
    can’t compromise their standards just to please their husbands
    (2) Care taker for children
    Lawino shows that she behaves the way she does
    because her mother took time to teach her. It is always believed that most of
    the behaviours that we have were learnt during childhood. It is up to parents
    to teach their children good manners and they will not abandon them to old
    age.  She says; my mother taught me/Acoli hair fashions/which fits the kind/of hair of
    the Acoli/and the occasion
    GUIDING QUESTIONS
    a.      
    What does the title of the poem “the graceful giraffe cannot become a monkey”
    mean? OR what is the poem about?
    The poet uses the symbol of the “giraffe” to represent
    the Acoli (Africans) and “monkey” as a symbol for whites. He shows how the
    conflict that occurs among Africans who have adopted European culture and those
    who have remained loyal to African identity. As the giraffe cannot become a
    monkey, neither can Africans become white people by their artificial designs.
    b.     
    What is the tone and mood of the poem?
    The tone is proud of her identity thus creates a proud
    mood for Africans towards their African identity.
    c.      
    What type of the poem is it?
    It is a freeverse/modern poem of Lyric type since it expresses
    strong feelings of the woman towards her husband’s insults.
    d.     
    Comment on the figures of speech.
    i.     
    Simile expression of comparison by using
    conjunctions
    Ø 
    A white woman’s hair is soft like silk
    Ø 
    And brownish like that of a brown monkey
    Ø 
    The Indian’s hair resembles that of a
    horse, it is like sisal strings
    ii.   
    Symbolism using one thing to represent another.
    “a graceful giraffe” represents
    Africans.
    “A monkey” represents Europeans.
    iii.  
    Personification giving human qualities to inanimate
    beings.
    Here the song is sung to a ring worm as though it is a
    human being
    You, ringworm who is eating Dukas hair,
    here is your porridge
    iv.   Anaphora (repeating words at the beginning of neighbouring
    clauses)
    I am a true Acoli
    I am not a half-caste
    I am not a slave girl
    e.      
    Who is the persona in this poem? How do
    you know?
    The persona is an African woman (Lawino) although her
    name is not in the poem. We know she is a woman because she says “my husband tells me” and the way she
    describes different hair styles which are common to women.
    f.       
    How does the woman (Lawino) see her
    identity?
    Lawino sees her identity as something to be proud of
    because she believes that she is beautiful just the way she is and is not ready
    to change.
    g.     
    Who is surer of his/her identity? The
    woman or her husband? Why do you say so?
    Certainly, Lawino is surer of her identity. This is
    due to what she expresses from the beginning of the poem to the end. While she
    admits that all other women of other races are beautiful she is not ready to
    compromise her identity and become like them as suggested by her husband.
    h.     
    How does Lawino react to the complaint of
    her husband?
    Lawino does not insult back her husband but rather she
    turns her husband’s complaints into a praise song about herself and her people.
    In the process she gently tries to advise her husband to regain the identity he
    is busy losing.
    i.       
    Who is Lawino speaking to in the poem?
    Lawino is speaking to both her husband and Africans in
    general. When she says “My husband tells
    me…”
    she speaks to the audience (Africans) but then turns the attention to
    her husband “you once saw me” here
    she speaks specifically to her husband.
    MESSAGE
    Ø  Africans
    should be proud of their identity.
    Ø  No matter
    what they do Africans will remain Africans.
    Ø  You cannot
    change nature.
    Ø  We should
    not react by insulting back people who have insulted us.
    Ø  Sometimes
    traditional healing is effective.
    RELEVANCE
    The poem is relevant today in a number of aspects.
    Ø 
    There are African women today who wish to do their hair like white women
    do.
    Ø 
    There are black women who never wish to do their hair like white women.
    They remain natural and proud of their identity.
    Ø 
    There are men who pressurize their wives to do their hair like whites.
    Ø 
    Traditional healing is still relevant in some societies.

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